As both the Boston Globe and the New York Times noted several weeks ago, Zoë Madonna has started a 10-month gig as classical music critic for the Globe, which is receiving financial support from the Rubin Institute for Music Criticism, San Francisco Conservatory of Music, and Ann and Gordon Getty Foundation (details on the SCFM pilot program here).
In the Globe story announcing Madonna’s arrival, editor Brian McGrory had this to say:
“We could not be more delighted to participate in this novel experiment with such worthy partners. We are excited about the benefit to our industry, to some of the great cultural institutions of Boston, and most especially to our readership, which will very much appreciate the proven talents of this young critic.”
The Times piece, on the other hand, addressed the part that might not be so beneficial: “[T]he new Globe arrangement raises journalistic questions, since some of the nonprofits that will help foot the bill for its critic come from the very music world Ms. Madonna will assess.
McGrory told the Times the Globe “would be on the lookout for potential conflicts and work to avoid them.”
The hardreading staff has no reason to doubt the purity of the Globe’s intentions or the integrity of Ms. Madonna’s work. We wish them both good luck in keeping the camels out.