Boston Globe Redacts Redactions in Wynn Lawsuit

March 15, 2019

From our One Town, Two Different Worlds desk

The Boston Globe is shooting blanks on the Steve Wynn/Massachusetts Gaming Commission rumpus, which involves a lawsuit over documents that the disgraced casino mogul says are covered by attorney-client privilege.

Here’s how the stately local broadsheet handled the story in today’s edition.

It’s not until the 13th graf that the piece even mentions this fact: “The meeting minutes included substantial redactions, something [commission chairwoman Cathy] Judd-Stein said was necessary because the sessions included ‘a significant amount of attorney-client privileged communications.’”

No longer crosstown at the Boston Herald, Page One says it all.

 

 

Inside, the story gets the deluxe double-truck treatment.

 

 

Hey, Globeniks, you taking notes?

(To be fair graf goes here)

To be fair, the web version of the Globe piece does have a visual component.

(To be clear graf goes here)

To be clear, though, it’s a photo of the almost-finished Encore casino, not any of the redacted documents.

Score one for the snappy local tabloid.

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Boston Herald: Most of the Hub a Red Light District

March 7, 2019

The hardreading staff has long held that the traffic lights in Boston must have been timed by Joe Cocker.

Unlike a real city such as New York – where one can routinely drive up, say, Madison Avenue for 10, 20, 30 blocks without stopping – making two consecutive lights in this town qualifies as a Dear Diary day.

The Boston Herald certainly gets that, as today’s front page attests.

 

 

Driving drivers nuts graf in the piece by Sean Philip Cotter and Meghan Ottolini:

“You have three lights in 50 yards, and the middle one will be green and the other two won’t. Then the opposite. No one’s going anywhere,” Uber driver Felipe Rios told the Herald last week, voicing a common gripe about constant stops and starts that he and other drivers see as unnecessary.

 

The gridlock grid extends from most of Mass. Ave to stretches of road on both sides of the Greenway to roads around TD Garden and Congress Street, according to this handy chart.

 

 

Sadly, unsticking those points doesn’t seem to be a top priority for city officials.

A recent national study found Boston has the worst congestion in the country, worse than even Los Angeles. But [City transportation chief Gina] Fiandaca said making traffic in Boston move faster isn’t her top concern.

“Our pedestrian safety programs are our No. 1 priority,” Fiandaca said, citing concerns that synced lights lead to speeding and put pedestrians and cyclists in danger.

 

It’s worth checking out the whole report, including this video and even some whining by Uber drivers.

If you’re in your car, of course, only at red lights.


MA Treasurer Didn’t Stiff Herald on Lost Property List

March 4, 2019

As the hardreading staff pawed through yesterday’s Boston Globe, we came upon this “Notice of Names of Persons Appearing to be Owners of Unclaimed Property” – a 54-page free standing insert produced by the Office of the State Treasurer and Receiver General.

It’s the state’s semi-annual list of tens of thousands of people who might have unclaimed funds in the possession of the Massachusetts Treasury.

 

 

Not to get technical about it, but that’s no Amy – as far as we can tell it’s the very talented local actress Celeste Oliva, about whom our kissin’ cousins at Campaign Outsider have written several times.

Regardless, imagine our total lack of surprise when we turned to the Boston Herald and found – no unclaimed property list in the thirsty local tabloid. Free standing insult.

So we called the office of Treasurer Deborah Goldberg to ask why she skipped the Herald, whose readers are for the most part a) Massachusetts residents, and b) easily as forgetful as Globe readers.

Deputy communications director Emma Sands was kind enough to straighten us out: The insert will run in the Herald this coming Sunday; this is the second time the Treasurer has run the insert in the two Boston dailies on consecutive Sundays; and the insert will run in a variety of regional papers in the coming weeks.

Office of the Treasurer: An equal-opportunity advertiser.

P.S. The hardsearching staff did not find its name on the list, alas.


Jed Gottlieb Is Last Pop Music Critic at a Boston Daily

March 1, 2019

When I first arrived in Boston in the fall of 1974 (“Hey, people, what’s with the forced busing? Are you meshugge?”), you couldn’t spit without hitting a music magazine. Pop Top, Rock Around the World, Night Life, Musicians Guide, Nightfall – they were all over town.

And there were so many music critics, even I was one, writing for all of the above under severel variations of my name.

Representative samples:

 

 

If you didn’t pay close attention at the time, you almost wouldn’t notice I knew virtually nothing about music.

Now comes the Boston Herald’s Jed Gottlieb – the last pop music critic at a major Boston newspaper – to survey the wreckage of local music coverage in a piece for Fast Company headlined “The web is killing newspaper arts critics like me. Why that matters.”

This is nuts graf:

The vast majority of daily papers cover a fraction of the concerts, albums, films, TV shows, theater productions, and gallery and museum exhibits than they did 10 years ago. A quick look at the rolls of professional organizations–the American Theatre Critics Association, the Jazz Journalists Association, the National Society of Film Critics–shows less than 10% of members holding full-time jobs at papers, down from approximately 50%, depending on the organization, around 2000.

 

Gottlieb says the internet – which has played a major role in the decline of newspapers over all – is no substitute for what it has muscled out. “Online arts outlets, from full-fledged magazines to blogs run by a single person . . . produce vital, smart, passionate work, but they can’t replace the loss of arts coverage at papers.”

Or the beneficial side effects of newspaper arts coverage.

Arts writers provide a historical record of their beat like any other reporter. When holes start appearing in that historical record (or when it is abandoned completely), arts organizations can suffer. Newspaper coverage serves as promotion for community theater companies, small galleries, unknown rock bands, and others without PR or advertising budgets. Both authors and musicians have told me print reviews spark interest from publishers and record labels, even when sales lag.

 

In the end, Gottlieb says, what is lost goes beyond the “stumble-upon effect” of newspapers, in which readers encounter arts coverage on their way to, say, the sports pages. It’s also this: “Every piece of good arts writing dips, if ever so slightly, into the human experience, into what it means to be alive. No piece of fantasy football draft advice or gossip item about [Miley] Cyrus’s marriage can do that.”

Check out the whole piece. It’s good arts writing.