June 15, 2017
As you splendid readers might recall, the other day we noted this New York Times piece by Boston Globe art critic Sebastian Smee.
And we wondered whether Smee – whose Twitter profile describes him as “Pulitzer Prize-winning art critic for the Boston Globe, on leave in Australia for all of 2017” – was just having a summer fling with the Good Grey Lady or was perhaps setting up housekeeping with her.
So we tweeted him thusly:
We have yet to hear back from the redoubtable Mr. Smee, but we hasten to point out that his Twitter feed conspicuously features the New York Times review of his book, The Art of Rivalry.
Not Michael Upchurch’s Boston Globe review.
Draw, as it were, your own conclusions.
June 14, 2017
As the hardreading staff perused our costly print version of the New York Times yesterday, we came across this piece on Page One of the Arts section.
Wait – is that the byline of the Hub’s own Sebastian Smee, Boston Globe Pulitzer Prize-winning art critic?
Indeed it is.
Which got us to wondering: 1) where in the world is Sebastian Smee, given that his last byline in the Globe was back in December; and 2) has he abandoned Boston for the Big Town.
Smee’s Twitter profile seems to answer both questions.
Regardless, we’ve tweeted the redoubtable Mr. Smee to ask if he has permanently fallen under the spell of the Good Grey Lady.
We will, as always, keep you posted.
April 7, 2016
As the hardreading staff has previously noted, the BostonGlobe.com search box is the ultimate digital black hole.
Exhibit Umpteen: Yesterday the Missus said, “Hey – remember that self-portrait of Ellen Day Hale we saw at the MFA the other day? Sebastian Smee wrote about it today in the Boston Globe.”
So we scurried over to BostonGlobe.com to check it out. And got this from a search for “Sebastian Smee.”
So we hied ourselves to Google News and got this.
Hale’s magnetic, mesmerizing ‘Self-Portrait’
There’s blood in that pale, sinewy hand. Blood and resolve. Idle for now, it won’t stay that way for long. It’s poised for action.
The hand belonged to Ellen Day Hale, who painted it herself in 1885.
It’s part of a self-portrait, one of the best in the Museum of Fine Arts, where it hangs in the Art of the Americas Wing, in a gallery devoted to the so-called Boston School.
It is, as we’ve come to expect from Sebastian Smee, a thoroughly smart and insightful piece. It’s also a piece you’ll never find via the Globe’s online search engine.
Are we the only ones who think that’s a travesty?
Not to mention an actionable case of media malpractice.
Hey, Sebastian Smee – you feelin’ this?